10.9.2022 (Sat)<\/a>
\nStudio Theatre, Hong Kong Cultural Centre
\n20:15 \u2013 22:00<\/p>\n[\/vc_column_text][vc_gallery interval=”3″ images=”1949,1951,1953,1955″ img_size=”full” css_animation=”slideInUp”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text]Synopsis<\/strong>
\nHong Kong dance rebel vs. Japan\u2019s enfant terrible of choreography: when two fearless female choreographers come face-to-face, a revolution awaits. In the desire-filled apocalyptic world, paradise is wide open for two defiant femme fatales\u2019 primitive pursuits. Warning: a risqu\u00e9 work where physical chemistry and spiritual climaxes overflow.<\/p>\nChoreographer<\/strong>
\nWong Pik Kei
\nReisa Shimojima<\/p>\nPerformer<\/strong>
\nWong Pik Kei
\nReisa Shimojima<\/p>\nComposer<\/strong>
\nFung Tsun Yin Jasper<\/p>\nSound Design<\/strong>
\nJC<\/p>\nLighting Design<\/strong>
\nLawmanray*<\/p>\nAcknowledgement<\/strong>
\nEdith Chan (Translator)
\nPun Sham Kiu (Translator)
\nWong Choi Si
\nLuise Yau
\nJadeSon Fu<\/p>\nReisa Shimojima\u2019s Portrait Photo Credit<\/strong>
\nMizuki Sato<\/p>\n*By kind permission of City Contemporary Dance Company[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_basic_grid post_type=”page” max_items=”10″ element_width=”6″ gap=”15″ orderby=”menu_order” order=”ASC” item=”1422″ grid_id=”vc_gid:1662123004407-a880c3c6-69ee-7″ taxonomies=”73, 70″][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
vc_rowvc_columnvc_column_text Programme 2 Geyser Hong Kong 10.9.2022 (Sat) Studio Theatre, Hong Kong Cultural Centre 20:15 \u2013 22:00 \/vc_column_textvc_gallery interval=”3″ images=”1949,1951,1953,1955″ img_size=”full” css_animation=”slideInUp”vc_empty_space\/vc_column\/vc_rowvc_rowvc_column width=”2\/3″vc_column_textSynopsis Hong Kong dance rebel vs. Japan\u2019s enfant terrible of choreography: when two fearless female choreographers come face-to-face, a revolution awaits. In the desire-filled apocalyptic world, paradise is wide open for two defiant femme fatales\u2019 primitive pursuits. Warning: …<\/p>\n","protected":false},"author":1,"featured_media":1949,"parent":0,"menu_order":9,"comment_status":"closed","ping_status":"closed","template":"obelisk-builder.php","meta":{"footnotes":""},"categories":[48,58],"tags":[],"class_list":["post-986","page","type-page","status-publish","has-post-thumbnail","hentry","category-48","category-prog2"],"_links":{"self":[{"href":"https:\/\/www.hdx.com.hk\/2022\/wp-json\/wp\/v2\/pages\/986","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hdx.com.hk\/2022\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.hdx.com.hk\/2022\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.hdx.com.hk\/2022\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hdx.com.hk\/2022\/wp-json\/wp\/v2\/comments?post=986"}],"version-history":[{"count":10,"href":"https:\/\/www.hdx.com.hk\/2022\/wp-json\/wp\/v2\/pages\/986\/revisions"}],"predecessor-version":[{"id":2663,"href":"https:\/\/www.hdx.com.hk\/2022\/wp-json\/wp\/v2\/pages\/986\/revisions\/2663"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hdx.com.hk\/2022\/wp-json\/wp\/v2\/media\/1949"}],"wp:attachment":[{"href":"https:\/\/www.hdx.com.hk\/2022\/wp-json\/wp\/v2\/media?parent=986"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hdx.com.hk\/2022\/wp-json\/wp\/v2\/categories?post=986"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hdx.com.hk\/2022\/wp-json\/wp\/v2\/tags?post=986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}